Bloodywood have always been more than just a band — they’re a movement. After making waves with their self-released debut Rakshak in 2022 and taking Indian metal to international stages, the New Delhi-based rap metal/nu metal powerhouse returns with Nu Delhi, their third and most focused album to date. which is set for release on March 21, 2025, via Fearless Records. On Nu Delhi, Bloodywood once again blends the unrelenting energy of nu-metal with Indian folk influences, but this time they push harder, hit deeper, and sound more fearless than ever.
The album opens with “Halla Bol,” a war cry that perfectly encapsulates what Bloodywood have become: global messengers armed with ferocity and purpose. The track is massive, with Karan Katiyar’s pounding riffs and Jayant Bhadula’s signature growls, while Raoul Kerr spits sharp political and personal truths that feel both local and universal.
“Hutt” follows, delivering a searing anthem of self-validation. It’s loud, proud, and custom-built for arenas — Kerr’s fiery bars pair perfectly with Jayant’s Hindi chorus, empowering listeners to rise above negativity and outside noise.
The heartbeat of the record arrives with “Dhadak,” a more introspective cut that leans into melody without sacrificing weight. Infectious melodies return on the track, juxtaposed beautifully against crushing guitar work and Vishesh Singh’s commanding drums.
One of Nu Delhi’s most exciting moments comes with “Bekhauf (Fearless),” featuring none other than Japanese pop-metal icons BABYMETAL. The collaboration feels surprisingly natural — a perfect cultural fusion where Jayant’s powerful Hindi vocals soar alongside BABYMETAL’s playful yet fierce contributions. It’s an anthem for the world stage, with the chorus, "ना किसी का ज़ोर, कदम बढ़ेंगे ठोस, हर जंग फतेह कर दूंगा मैं बेखौफ," translating to: "No force can restrain me; Every stride is firm and sure. I conquer every battle, Fearlessly."
“Kismat” brings Bloodywood back to their socially conscious storytelling, alongside their Indian folk metal side, reminding listeners that our lives are shaped not just by luck but by resilience and courage. It’s equal parts motivational and confrontational — just what the band has always excelled at.
The biggest curveball arrives with “Daggebaaz” — a brutal nu-metal stomper that feels darker and more aggressive than anything the band has done before. Here, they lean into danger and chaos, channelling the fury of a generation fed up with political and societal deceit.
“Tadka,” meanwhile, is a total joy. It’s a celebratory, playful track paying tribute to the band’s love for Indian food. Raoul Kerr’s lines — “Because our food was made to win hearts like a wager… vicious and delicious” — are both fun and memorable, while Jayant’s vocals feel warm and inviting. It’s a reminder that Bloodywood’s spirit is as much about joy and culture as it is about protest and resilience.
Finally, the album closes with its title track, “Nu Delhi,” a love letter to the band's hometown. Equal parts homage and manifesto, it cleverly ties together the band’s identity with the evolution of their sound. Katiyar’s production here is stellar, layering folk instrumentation with crushing grooves, and a rap-driven core in a way that feels cinematic. You can practically see the bustling streets, and feel the chaos and beauty of the city they call home.
What makes Nu Delhi stand out is not just its fusion of styles, but its fearless authenticity. Each track is a statement — about culture, about resistance, about joy, and about self-belief. The band’s growth is palpable; they sound sharper, more confident, and more comfortable in their global role as metal ambassadors from India.
If Rakshak was the rallying cry and Nu Delhi is the victory march, Bloodywood have officially cemented themselves as not just an internet sensation, but a world-class force.
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